The rear camera systems take two philosophically different approaches. The Nothing Phone 3 deploys a uniform 50 MP + 50 MP + 50 MP triple-camera array, ensuring consistent resolution across all three lenses — main, ultrawide, and telephoto. The Samsung Galaxy S25, by contrast, pairs its 50 MP main sensor with a 12 MP ultrawide and a 10 MP telephoto. In raw resolving power, Nothing's approach means cropping and detail retention stay consistent regardless of which lens you switch to, while Samsung's lower-resolution secondary sensors are a more conventional trade-off. On aperture, the Nothing Phone 3's main lens at f/1.68 is notably wider than the S25's f/1.8, which translates to a measurable advantage in low-light capture — a wider aperture lets in more light before computational processing even enters the picture. Both offer 3x optical zoom and OIS, so zoom reach and stabilization are evenly matched.
Video tells a different story. The Samsung Galaxy S25 tops out at 8K (4320p) at 30 fps, a meaningful ceiling above the Nothing Phone 3's 4K (2160p) at 60 fps. For users who prioritize maximum resolution footage — archiving, professional cropping — the S25 has a clear ceiling advantage. However, 4K at 60 fps produces smoother motion and is often more practical for everyday sharing and editing, so this trade-off depends on use case. The selfie gap is harder to dismiss: the Nothing Phone 3 packs a 50 MP front camera against the S25's 12 MP, a substantial difference for users who rely on the front camera for portraits, video calls, or content creation.
This category is genuinely split by use case. The Samsung Galaxy S25 edges ahead for video-focused users thanks to 8K recording. But the Nothing Phone 3 holds a real advantage for photography — a wider main aperture, consistent high-resolution across all three rear lenses, and a front camera that is in a different class entirely. Taken as a whole, Nothing Phone 3 has the broader photographic edge, while the S25 leads specifically on video ceiling.