At first glance the rear camera arrays look similar — both offer a triple-lens setup with a 50 MP primary shooter, 3x optical zoom, and OIS — but the secondary lenses diverge significantly. The NxtPaper 60 Ultra's ultrawide comes in at 50 MP, a substantial jump over the S25 FE's 12 MP ultrawide, meaning wide-angle shots on the TCL will capture considerably more detail. On the selfie side, the NxtPaper also pulls ahead with a 32 MP front camera versus the S25 FE's 12 MP — a difference that is directly visible in portrait clarity and video calls.
Where the S25 FE reasserts itself is in video capability and low-level camera hardware. It tops out at 4320p (8K) at 30 fps, a full two resolution tiers above the NxtPaper 60 Ultra's ceiling of 2160p (4K). The S25 FE also benefits from a BSI sensor — backside-illuminated technology that improves light capture efficiency, particularly in dim conditions — which the NxtPaper lacks. Additionally, the S25 FE includes laser autofocus for faster, more reliable subject locking, and supports manual shutter speed control, giving photographers more creative flexibility. The NxtPaper omits both.
This is a genuine split verdict. The TCL NxtPaper 60 Ultra has the edge for still photography, particularly selfies and ultrawide shots, thanks to its higher-resolution front and secondary lenses. But the Samsung Galaxy S25 FE leads on video and offers a more capable camera hardware stack overall, with 8K recording, a BSI sensor, and laser autofocus combining to make it the stronger choice for videographers and low-light shooters.