The rear camera systems take meaningfully different approaches. The S25 Plus pairs its 50 MP main sensor with a 12 MP ultrawide and a 10 MP telephoto, backed by a 3x optical zoom — a genuine optical zoom lens that preserves image quality when closing in on distant subjects. The Red Magic 11 Pro instead deploys a 50 MP main and a second 50 MP lens, but lists 0x optical zoom, meaning its telephoto equivalent relies entirely on digital processing. For users who regularly shoot at distance, that is a practical disadvantage. The S25 Plus also features a BSI sensor on its main camera, a design that improves light capture efficiency — particularly relevant in low-light conditions — which the Red Magic 11 Pro lacks.
Manual control parity is nearly complete between the two — both offer manual ISO, focus, exposure, and white balance — but the S25 Plus adds manual shutter speed control that the Red Magic omits, giving it a fuller set of tools for photographers who want granular control over exposure. The S25 Plus also supports HDR10 video recording, enabling higher dynamic range in captured footage, whereas the Red Magic 11 Pro does not. On the front, the Red Magic edges ahead with a 16 MP selfie camera versus the S25 Plus's 12 MP, and its wider f/2.0 aperture lets in more light than the S25 Plus's f/2.2 — a modest but real advantage for selfie quality in dimmer environments.
Taken as a whole, the Samsung Galaxy S25 Plus holds the stronger camera package. The optical zoom alone is a decisive differentiator for versatility, and advantages in BSI sensor design, manual shutter speed, and HDR video recording reinforce that lead. The Red Magic 11 Pro's front camera is a genuine bright spot, but it is not enough to close the gap on the rear system.