The rear camera systems take fundamentally different approaches. The Galaxy S25 fields a triple-lens setup — 50, 12, and 10 MP — which almost certainly covers a main shooter, an ultrawide, and a telephoto, giving it genuine optical zoom versatility. The Red Magic 10 Air pairs two 50 MP sensors, sacrificing the dedicated telephoto in favor of high resolution across both lenses. For users who frequently shoot at distance, the S25's multi-focal-length system is a meaningful practical advantage that a dual-lens arrangement cannot replicate through cropping alone. The S25 also leads on main lens aperture at f/1.8 versus the Red Magic's f/1.9, a modest but real low-light edge. Both cameras match on 8K video at 4320×30fps, OIS, phase-detection autofocus, and slow-motion — so the shared feature floor is high.
Manual controls favor the S25 as well: it includes manual shutter speed, a control the Red Magic 10 Air omits entirely. For photographers who shoot in full manual mode, this is a missing tool that limits creative control. On the front, the positions reverse somewhat — the Red Magic offers a 16 MP under-display selfie camera versus the S25's conventional 12 MP punch-hole. The under-display placement eliminates any notch or cutout for a cleaner full-screen aesthetic, which some users will strongly prefer, though under-display cameras have historically involved optical trade-offs in image clarity.
Weighing both sides, the Samsung Galaxy S25 holds the camera advantage overall. Its three-lens system with telephoto coverage, wider main aperture, and full manual control set give it broader photographic capability. The Red Magic 10 Air's higher-resolution under-display front camera is a notable design win for selfie-focused users, but it does not offset the S25's more versatile and feature-complete rear camera system.