Starting with the rear system, the Red Magic 11 Pro fields a triple-camera setup — 50 MP + 50 MP + 2 MP — against the Poco F7's dual-camera configuration of 50 MP + 8 MP. The extra 50 MP lens on the Red Magic adds a second high-resolution shooter to the array, providing far more flexibility in coverage compared to the Poco F7's lower-resolution secondary. Aperture also favors the Red Magic on the primary lens: its f/1.9 main aperture is wider than the Poco F7's f/2.2, which means more light reaches the sensor in low-light conditions — typically resulting in brighter, less noisy shots without flash.
The most dramatic gap is in video capability. The Red Magic 11 Pro tops out at 4320p at 30 fps — full 8K recording — while the Poco F7 maxes out at 2160p at 60 fps. For users who prioritize maximum video resolution, the Red Magic holds a clear lead. The Poco F7 does offer higher frame rate at 4K, which is preferable for smoother motion footage at that resolution, so the tradeoff depends on whether resolution or fluidity matters more. Both phones support OIS, phase-detection autofocus, and slow-motion recording, so the fundamentals are well matched.
On the front camera, the Poco F7 flips the script slightly with a 20 MP selfie shooter versus the Red Magic's 16 MP, giving it a modest edge for self-portraits. Overall, though, the Red Magic 11 Pro has the stronger camera package — its triple rear system, wider main aperture, and 8K video capability collectively represent a more versatile and capable rear imaging setup.